Three Nifty Links and a Brief Reminder

Commas are important tools in the ongoing struggle for (and sometimes between) clarity and euphony – so important that it’s easy to lose sight of the fact that, even more than most punctuation marks, commas are pretty much a local-option kind of deal.  The conventions for comma usage vary from one language to another, as I learned to my sorrow back in the days when I was learning Old English and working with a lot of OE texts that had been edited by German scholars and therefore punctuated with German punctuation.  (It’s a mark of where I learned a particular language and how I mostly used it that my rudiments of German are mostly stuff like “The following forms appear only in the dative plural,” while my fragmentary Spanish runs mostly along the lines of “Do you have Tylenol in drops for infants?”)  Comma use also varies from one century to another, and from one writer to another – some writers prefer to deploy their commas strictly according to grammatical rule, whereas others prefer to use them according to the rhythm and the phrasing of the sentence.

Under the circumstances, it’s not surprising that some people take their commas very seriously indeed.

Over in another corner of the internet (the internet has many corners), Slate columnist Derrick Johnson strikes a blow against e-mail address snobbery when he explains why he still uses his AOL e-mail account.  (Hint: because it still works just fine.)

Meanwhile, for the folklore and folk music enthusiasts among us, here’s the Vaughn Williams Memorial Library.

And finally, the reminder:  the Dr. Doyle’s Editorial Services Springtime Seasonal Special closes at midnight this coming Saturday, April 11.

Springtime Seasonal Special

From now through the 11th of April, in honor of the arrival of new growth and brighter days, my usual rate for a full line-edit and critique drops back to $1000.  Furthermore, you can purchase a gift certificate for a friend or colleague at the seasonal price, to be redeemed by the recipient at whatever future date they find convenient.

Sample Spring Gift Certificate SmallPic

The gift certificate comes in the form of a .pdf file suitable for printing out and enclosing in an envelope, or putting into a gift-wrapped box.

(And if the person the gift is meant for happens to be you—that’s perfectly fine with me.)

 

Shaking the Tambourine

It’s that season again . . . time for one of my semi-regular posts where I clear my throat nervously, point at the “About” link in the header, and let people know that I offer editorial and critique services for a reasonable fee.

(It’s been a long hard winter, with all the household expenses that a long hard winter always brings.  Because I’m a hardworking Dr. Doyle, I’m doing my bit to keep the electricity and the internet flowing.  Wherefore I also point, discreetly, at the tip jar link at the bottom of the right-hand margin.)

Seasonal Special from Dr. Doyle’s Editorial and Critique Services

In the spirit of making the Yuletide (or other seasonal holiday of your choice) a bit brighter all ‘round:

From now through Twelfth Night (5 January 2015), my price for a full-dress line-edit plus a 3-5 page letter of critique drops to a flat $1000 for a standard-weight novel.

This offer can also be combined with the Seasonal Gift Certificate I blogged about earlier.

‘Tis the Season

NaNoWriMo season, that is.

And if it’s NaNoWriMo today, then it’ll be the winter solstice and all its associated holidays tomorrow, at least in the northern hemisphere.

As I’ve done before, I’m offering a seasonal gift for the writer in your life:  Purchase a gift certificate for a round of my editorial services for them any time between now and the 24th of December, and they can redeem that certificate later at the time of their choice.  I’ll even throw in a snazzy PDF gift certificate form that you can print out and put into an envelope with a bright red bow on it, if such should be your desire.

It’s That Time of Year Again

Yes . . . it’s my sporadically-recurring post in which I wave my hands and point to the “Editorial and Critique Services” bit of this blog’s title, and to the About and Editorial Services links on this page.  (Click on either one; the content is about the same either way.  The salient details certainly are.)

Short version:  One of the ways I keep the electricity and the internet running around this place is with freelance editorial and critique work.  If you’ve got a short story or a novel that you’d like to spruce up for submission or for self-publication, or that you’d like to make better for some other reason (including the learning experience), then I’m available to help you out.

My base rates:  $1500 for a standard 80,000-100,000 word novel; $100 for a short story or the first chapter/first 5000 words of a novel.  Rates for odd lengths – novellas, extra-long novels – are negotiable.  Also, if you go for the first-chapter deal on a novel, and then decide you want the whole enchilada, you get $100 off on the novel fee.

The Season Approacheth

With National Novel Writing Month receding into the past, and the midwinter giftgiving season drawing ever closer, it’s time again for a display of crass commercialism on my part.

If you’ve got your NaNoWriMo manuscript in hand, and would like help in taking that finished product to the next level, I’m here to help.  My base rates are $1500 for a novel, or $100 for a first chapter sample (or for a short story, if that’s what you’ve got.)  More details can be found here.

Also, if you’re looking for a present to give to the writer in your life, you can give them a virtual gift certificate for a line-edit and critique — you can purchase my services in advance at the usual rate, and they can schedule the job whenever they’re ready.  If you like, I can even send you a PDF of a nice-looking gift certificate that you can print out and put into an envelope, or in a great big enormous box with a lot of packing peanuts, if that’s how you roll.

A Commercial Reminder

For those who may be interested:

As of today, my base rate for doing a line-edit and letter of critique on a standard-weight novel is $1500.  The $100 deal for critiquing a short story or the first 5K words/first chapter of a novel still stands, however, and a client who takes that deal and later comes back for a critique of the entire manuscript still gets $100 off of the whole-novel fee.

Meanwhile, the local rains have (temporarily) stopped, and the thermometer is dropping.  Our local purveyors of fresh and organic vegetables anticipate sub-freezing temperatures on the higher elevations, which means no more fresh zucchini for zucchini bread.

Public Service Announcement

We interrupt your irregularly scheduled blog reading with a business-related announcement.  Related, that is, to my editorial and critique services (see the sidebar link for more info.)

After careful consideration, I’ve decided that as of 15 September I’m going to be slightly raising my basic-rate flat fee to $1500 for a line-edit and critique on a standard-weight novel.  Novellas and doorstops will remain separately negotiable.  And as before, I will also line-edit and critique a short story or the first chapter/first 5000 words of a novel for $100.

My reasons for doing this are twofold.  One is that the increased rate should, I hope, enable me to better strike a balance between the need to keep the household exchequer in a healthy-enough state, and the need to have sufficient time to work on my own contractual writing obligations.  The other is that I’ve done enough research into the going rates for editorial work to satisfy myself that even with the projected increase, my rate remains at the relatively inexpensive end of the scale.

I’m giving this one-month heads-up so that anyone who wants to take advantage of the old rate can do so; those pre-contracted jobs will go into the editing queue ahead of those from people who sign up after September 15.

Feast and Famine

I’ve said more than once that there are two basic states in the freelancing life:  the state of too much work and the state of not enough money.  Usually it’s either one or the other, though sometimes, painfully, it can be both at once.

In theory, there should also exist a balancing state of not enough work and too much money, but I don’t think freelancers get to go there.

(Which is a roundabout way of saying that I have a backlog of editorial work that I need to get done, so for the next little while my entries here may be somewhat brief.)