How Long Did It Take You to Write That?

This is one of those questions, like “Where do you get your ideas?”, that people will keep asking writers – and like the question about ideas, it’s one that doesn’t have an answer, or at least not the kind of answer the questioner is looking for.

Even before I was a novelist, people used to ask me how long it took me to write my dissertation.   The only answer that I could give them – “Well, if you look at it one way, it took me three years.  If you look at it another way, it took me about three very intense months.  But I needed the three years first.” – somehow never really satisfied them, even though it was true.

The short story I finished just this past weekend is much the same.  In terms of actual putting-words-on-screen writing time, it took me about a week.  But this was a story for which I’d had the title and the central conceit rumbling around in my head for a lot longer than the three years it took me to write my dissertation back in the day – and not until last week did it take on enough shape that I could make a narrative of it.

(Why then, after all that time?  I have no idea. But when the Muse shows up with a plot and a theme in hand, only a foolish writer turns down the gift.)

I Think It’s a Rule

If you’re driving into Boston from out of town, you have to get lost at least once on Massachusetts Avenue.

Normally, our GPS navigator saves us from this, but the rules caught up with us this trip, because the navigator went toes-up on us shortly before departure.  Fortunately, we were able to access Google Maps via my phone — not by using the phone’s web feature, because it doesn’t really have one, but by calling our younger son back in Colebrook and having him find the necessary directions and relay them to us.

After that mini-adventure, we made it safely to the Westin hotel, and our first programming item is a signing at 2 PM in the Galleria.  We’re signing alongside Ken MacLeod and Charlie Stross, so if you’ve got a book (or a short story in an anthology, or a bookplate, or whatever), feel free to bring it in and we’ll happily sign it for you.

And if you’re one of the people who mostly own our stuff in electronic format . . . if you can figure out how to get us to sign that, we’ll happily do that as well.

(Surely somebody, somewhere, has invented an app for getting author signatures on e-books.  Heaven knows, they’ve got apps for everything else.)

The Unified Doyle & Macdonald Boskone Schedule

Debra Doyle and James D. Macdonald
Autographing
Saturday 14:00 – 15:00, Galleria

(We’ll be autographing alongside Ken MacLeod and Charles Stross, a couple of overseas guests from the UK, so if you’ve got anything by us you’d like to have signed, feel free to bring it in so we won’t let New Hampshire down.)

Debra Doyle
Design Your Own Mythology:
Saturday 15:00 – 16:00, Harbor III

What goes into mythmaking? Panelists share their experiences in creating mythologies and pantheons — offering up dos and don’ts, tips on resources, and things to think about as you try creating a coherent mythology of your own.

James D. Macdonald
From Rapiers to Ray Guns
Saturday 16:00 – 17:00, Marina 1

From epic fantasy to space war, speculative fiction is rife with useful tools and weapons that can be used in battle. How much does a writer or reader really need to know about these weapons for fictional frays to feel real? What weapons work best for close-quarters or downrange combat in specific settings?

Debra Doyle
A Muddle of Mad Scientists
Saturday 20:00 – 21:00, Burroughs

From Dr. Frankenstein to Dr. Faustus, Mrs. Coulter to Dr. Horrible, genre fiction is filled with a long list of the crazily creative geniuses known as mad scientists. Why do we love them? What makes the mad scientist character so appealing in horror, comedy, and everything in between? Join us for a mad, mad discussion featuring some of our favorite screwy scientists/inventors from the past, present, and future.

James D. Macdonald
Abracadabra! Making Magic Real
Sunday 12:00 – 13:00, Marina 1

In writing fantasies — from epic to urban– how do you keep your story’s magic feeling fresh and new? It’s a challenge. Rules and boundaries can help, but how do you make the “science” of the supernatural seem, well, natural? Panelists discuss the perils and potentials of using magic in fiction.

Debra Doyle and James D. Macdonald
Reading Sunday 13:00 – 13:30, Griffin

Snowbound

At least until the driveway gets shoveled clear.  Which is going to be a task which is not mine.

SnowDay

And we have more snow predicted for mid-week.  Fortunately, Friday is projected to be cold and sunny, because that’s the day we’ll be heading down to Boston for the Boskone sf/fantasy convention.  Watch this space for the unified Doyle&Macdonald convention schedule, to be appearing Real Soon Now.

Meanwhile, I have an editing gig to work on, which I have grievously neglected the past two days, because the household was afflicted not only with snow, but with a nasty but fast-moving bug that somehow slipped under this season’s flu-shot radar.  (Better last week than this coming weekend, is all I can say.)

This Just In

Self-publishers and cover designers take note:  The Metropolitan Museum of Art has placed “more than 375,000 images” from its online collection into the public domain for free and unrestricted use.

Which is a bit of good news to brighten up what is – at least up here in far northern New Hampshire – a grey and snowy day, in a generally grey and dispiriting season.

Winter Comes, Every Year

And so do the winter electric bills, because we heat our (big, old) house with electricity.  We used to heat it by means of a wood-burning forced-hot-air furnace in the basement, but gave that up after about a decade and a half – wood is cheap, compared to other locally available heating methods, but it’s a hassle from start to finish.

First you have to purchase the firewood, which means finding a reliable Firewood Guy – something that’s a lot harder than you’d think, because your typical reliable Firewood Guy is usually just one year away from selling his chainsaw and his skidder and retiring to Florida, so calling last year’s supplier almost never works.  Once you’ve got the firewood, it has to be stacked, all eight or nine cords of it (a cord, if you’re interested, is a stack of logs measuring 4’x4’x8’, and if you’re ever in the business of purchasing cordwood for yourself, make certain you specify “full cord”, because unscrupulous dealers are not above selling you so-called “face cords” which are only half the width of a proper cord.)

Then the stacked wood has to be heaved down into basement where the furnace lives; this will have to be done repeatedly throughout the winter, usually in the dark on bitter cold nights, because that’s always the time when one or another of the house’s occupants comes into the office and says, plaintively, “There’s no more wood in the basement and the fire is getting low.”  At which point somebody – probably you, because why else would they have come into the office to complain about it – has to suit up in full north country outdoor gear and go move some logs.

After that, you have to go down into the basement and heave yet more logs, this time from the basement into the furnace.  And you’ll have to do it again before you retire for the night, and as soon as you get up in the morning (forget about sleeping in, if you heat with wood), and every four or five hours throughout the day.

So once I started having paranoid fantasies about chimney fires, and about the insidious threat of carbon monoxide, and about tripping and falling on the rickety basement steps – but especially about the basement steps, because I have the sort of ankles that can turn on a crack in the kitchen linoleum – I said the hell with this, and switched to the backup electric baseboard heat.  I have dreams of converting the house to oil or propane, because all the ductwork is still in place, but a project of that expense and magnitude would require major money up front, and Hollywood hasn’t bought one of our novels yet.

Which is why one of the early posts on this blog, back when I was just getting started, was my Fire in Fantasy Rant, and why I’m taking this opportunity to point a discreet finger at the Editorial and Critique Services link up there above the header.  If you’ve got a novel in need of editing, you have it in your power to help me make the electric company very happy.