While I’m Discoursing on Trivia

I’d just like to say that I find the use of the European-style initial-dash method of dialogue punctuation by writers of English-language fiction to be pretentious in the extreme. It contributes no extra meaning to the text itself; it’s present solely as a signifier that the work in question is — despite the presence of possible overt genre clues to the contrary — meant to be read as serious literature.

Not that I’ve got any firm opinions on the subject, or anything.

(It also makes me feel like the characters aren’t actually talking loudly enough to be heard — instead, they’re standing somewhere just out of earshot and muttering.)

Peeve of the Day

(Because I’ve got a summer cold and it’s a day for feeling peevish.)

Another pair for the Homonyms to Watch Out For list:  canon and cannon.

Canon, with one n, is the received texts for something, or the authorized meaning of it.  (Or a piece of music written in counterpoint, or a member of the clergy.)

Cannon, with two n‘s, is a piece of artillery.

Not the same thing at all.

From the Department of Annoying Tropes

I was a Navy wife for about a decade, and a Navy girlfriend for three years before that. And sometimes I get so very very tired of the “Darling, I love you, but I can’t handle your job” routine that seems to be obligatory whenever you have an action-adventure television character who starts out the series married, or even just going steady. It’s a goddamned insult to all the people who are living that life and by God coping with it, is what it is.  (My issues, let me show you them.)

I know why the powers that be do it, of course.  They want the (male) lead to be conveniently unattached, so that he’ll make a more convenient fantasy object for the viewers, as well as leaving the coast clear for the script writers to throw in a Babe of the Week or a Girlfriend in the Fridge whenever they run out of other ideas.  At the same time — because the powers tend to assume that the typical viewer is both casually misogynistic and casually homophobic — they want to make it crystal clear that the male lead is straighter than a ruler-straight thing.  Enter, therefore (and leave, shortly thereafter), the conveniently dissatisfied wife-or-girlfriend.

Personally, I think that the powers that be underestimate the tolerance of the typical viewer, or at least the typical viewer’s lack of a need for constant reassurance about a leading character’s sexuality.  Then again, I’m not gambling a million bucks or more per episode on my faith in human nature, either — one of the advantages to writing novels instead of series television is that the stakes are low enough to take some risks.