Weather for Working

The writing life has its ups and downs, but on days like today it at least has the advantage of taking place largely indoors.  Because if I had to do my work outside on a day like today, I do not think I would get any work done at all.

Spring is a good time to write.  So is autumn.  Winter is great, so long as you can afford to keep the heat on.   But summer is not a good time for any sort of strenuous endeavor, even of the intellectual kind.

Summer heat waves don’t summon up the good times in fiction, either.  They bring us Southern gothic novels featuring humidity and honeysuckle and family secrets (a dead mule may also be involved at some point); and if the supply of Southern gothic fails, the dog days also have a stock of noir-tinged detective novels full of adultery, blackmail, and conspiracy to commit murder.

Only in children’s and young adult fiction, really, is summertime a pleasant source of adventure and romance.

A Weekend on the Road

Or, why I haven’t posted anything for a couple of days.

I’ve been at Readercon, a science-fiction convention in Burlington, Massachusetts, restoring my soul and enjoying the air conditioning.

Regular posting should resume on Monday.

A Lonely Business

Writing, that is.

It’s a job that you mostly do sitting at your desk, listening to the voices inside your own head. It’s not surprising that some writers end their careers as eccentric hermits; what’s surprising, actually, is that more of them don’t.

It isn’t required to be an introvert in this job, but sometimes it helps. At the same time, if you’re going to make a living (or at least a part of your living) as a writer, you’re going to have to get out in the world. If you don’t, you’re going to lose touch with all the stuff you’re writing about.

So make the effort. Schedule time for things like community involvement — things like scouting, or the volunteer fire department, or the folks who clean up sea birds after oil slicks. Whatever works for you, so long as there are other people involved in it. From an artistic-development standpoint, it helps if it’s the sort of group that attracts a cross-section of different types, so that the repertory company of actors living in your brain can have as wide a range as possible.

Don’t isolate yourself from other writers, either. Some days, it can be vitally important to your sanity that you’re able to have a conversation with somebody else who understands why it is you do what you do with all those words on the computer screen, and who understands why it matters.

Which is why I’m moving mountains, right this minute, in order to be at Readercon this weekend, down in Burlington, Massachusetts.

It’s the Fourth of July…

…and therefore, like every good freelancer, I’m working.

But in honor of the holiday, I won’t be working quite as much.

(To quote another writer of my acquaintance:  “Being a freelance novelist is like having homework every night for the rest of your life.”)

Down (48K) Memory Lane

If I had to name the one thing that made it possible for me to be a published writer, as opposed to just another scribbler with a stack of notebooks in a desk drawer, I would have to say it was the personal computer/printer/word processing software combination.  Because in order to become published, you first have to submit stuff to publishers, and if you’re going to submit stuff to publishers you have to put it into a format that publishers will read, which back in those days meant a typed manuscript.
Continue reading “Down (48K) Memory Lane”

Chicken and Egg

Q: Which is more important, character or plot?
A: Yes.

Or, to put it a bit less obliquely, you can’t really separate the two. Plot, after all, is characters doing things, and one of the ways characters are defined is by what they do and how they do it. I don’t have a grand unified theory of character, but I do have some thoughts on the subject — as what writer does not? — and like most writers who have thoughts, I’m happy to share them.
Continue reading “Chicken and Egg”

Fake Nose and Eyeglasses

Writers talk about writing a lot. Sometimes, their sharpest observations are made in places where you (and possibly they) think they’re talking about something else. Continue reading “Fake Nose and Eyeglasses”

Why I Don’t Write (Many) Short Stories

I tend to think of short stories as “one-joke stories” (in which the joke isn’t necessarily a funny one): that is, a short story has the time and the room to do only one thing, and you have to be absolutely clear in your mind what that one thing is. Continue reading “Why I Don’t Write (Many) Short Stories”

“Who are YOU?” said the Caterpillar.

Who am I?  I’m Debra Doyle, the “Dr. Doyle” of “Dr. Doyle’s Editorial and Critique Services”, and this is my brand-new blog.

Why am I here? As I’ve explained elsewhere:

For business, I write. About the only thing I’ve ever done for money besides writing—if we don’t count a stint working in the dishroom of the cafeteria while I was in college, which, really, let’s not—has been teaching:  Freshman composition (under the various trendy names it’s gone by over the past two or three decades), which wasn’t really that much fun; and fiction (yearly at the Viable Paradise workshop since 1997), which was and is considerably more enjoyable.

What do I do? With my co-author James D. Macdonald, I write science fiction and fantasy. We’ve been in the business for over two decades now, and seen a lot of changes in the field, but we’re still here and still writing. On my own, I do the freelance editorial and critique work that will be the primary focus—but not the only subject; I know myself too well to promise that—of this blog.

What about the “Doctor” bit? That’s real. I did my graduate work at the University of Pennsylvania, and received a doctorate in English, with my main area of concentration being Old English and my secondary area being Old Icelandic. Surprisingly (or perhaps not so surprisingly—the sf/fantasy field is full of renegade medievalists), this turned out to be excellent preparation for writing science fiction and fantasy, and for doing critique work as well.