One of the Good Things About Teaching

— and about editing, for that matter is the the opportunity to point with pride at a student’s (or client’s) success.

On this occasion, I can bask in the reflected glow from Viable Paradise alumna Fran Wilde’s winning of the Andre Norton Award for YA science fiction at the Nebula Awards just past for her novel Updraft, which also won the Baltimore Science Fiction Society’s Compton Crook Award for best first novel.

And as if that weren’t enough illumination, there’s a further glow coming by way of Debra Jess, another VP alumna and a Dr. Doyle’s Editorial client, for her novel Bloodsurfer, which is a finalist in two categories (best first novel and best paranormal) of the Greater Detroit Romance Writers of America Booksellers’ Best Award. The winners will be announced at this summer’s RWA convention.

Needless to say, I’m tickled pink for them both.

Sir Walter Scott’s Aunt Meets the Suck Fairy

Once upon a time there was a Scottish lawyer (and poet and novelist and, eventually, a baronet) who had an elderly aunt.  She was an avid reader, and had been for all her life, and as happens with avid readers, one day she took it in mind to revisit a remembered favorite author of her youth.  Because she was having trouble finding copies of the lady’s work, she wrote to her nephew requesting that he procure for her some of the writings of Aphra Behn.

Her nephew was somewhat take aback by the request, since Behn’s literary star had undergone considerable eclipse since the days of the Restoration, and her personal reputation along with it.  (She wrote for money.  She wrote about sex.  She had no visible husband, and possibly never did have one.  She had Catholic sympathies.  She worked as a spy for Charles II, who never did pay her for it – which is where the writing for money comes in.  Which was all to the good – except for the “not getting paid” part, of course – during the rock-and-roll years of the Stuart Restoration, but didn’t play quite as well under the House of Hanover.)

But young Walter Scott (for it was he) was a good nephew, and sent his aunt the books she had been looking for.  Not long after, she sent them back to him with a note requesting that he get rid of them:

 But is it not, she said, a very odd thing that I, an old woman of eighty and upwards, sitting alone, feel myself ashamed to read a book which, sixty years ago, I have heard read aloud for the amusement of large circles, consisting of the first and most creditable society in London!

What she hadn’t known was that in the intervening years, the works of her old favorite author had been visited by the Suck Fairy, that malevolent sprite who sneaks into the pages of fondly remembered texts and sprinkles them with (these days) racism and sexism and other problematic isms (or, for Sir Walter Scott’s elderly aunt, rude language and sexual content.)

The good news about the Suck Fairy, though, is that she doesn’t necessarily stick around forever.  It’s too late now for Sir Walter’s aunt to recover her fondness for the works of Aphra Behn, but present-day literary scholarship has recovered somewhat of Behn’s reputation, and no less a writer than Virginia Woolf said of her, in A Room of One’s Own:

All women together, ought to let flowers fall upon the grave of Aphra Behn… for it was she who earned them the right to speak their minds… Behn proved that money could be made by writing at the sacrifice, perhaps, of certain agreeable qualities; and so by degrees writing became not merely a sign of folly and a distracted mind but was of practical importance.

As for what writers of our own time will have their works visited by the Suck Fairy in twenty years, or fifty, or a hundred, and what writers whose works are now regarded as irrecoverably visited by suck will be rehabilitated by readers and scholars of a future age—

All I can say is, like so much about this business, it’s a crap shoot.

 

Where We’ll be Tomorrow

Jim Macdonald and I will be on a road trip down to Peterborough, NH, where we’ll be part of the group book-signing for the Conspiracy! anthology at the Toadstool Bookshop.

Our audiobook for the drive down and back is The Count of Monte Cristo.  Nineteenth-century doorstop novels make great road books, especially if you stick to the blood-and-thunder end of the spectrum.  We’ve already gone through Wilkie Collins’s The Moonstone and The Woman in White, both of which I can heartily recommend – among other things, Collins has a lot fewer female characters whom I want to slap silly than, say, Dickens does.  I don’t think we’ll be trying anything by Hardy, or by Henry James, though; the blind malice of the universe and the delicate delineation of interior states aren’t exactly the best antidotes for highway hypnosis.

(Or maybe for some people they are.  Everybody’s reaction to a work of literature is different, and is their own.)

Next up, after we’re done with Edmond Dantès and the gang, will be a handful of Welcome to Night Vale podcasts.  After that . . . who knows?  Maybe The Three Musketeers.

Presented for Your Amusement

A bit of seasonal humor, from the archives of The Toast:  The Passive-Aggressive Guide to Book Gifting.  As always, read the comments, too; The Toast is one of the few sites on the net where doing so adds value to the experience, rather than making the reader despair of humanity.

Also, a research source:  The New York Public Library has put up a collection of digitized theatrical ephemera.  That hyperlink goes to an article about the collection; the actual archive is here.  They’ve got all sorts of stuff: programs, posters, correspondence, photos.

Bookstore Mapping, Continued

Jim Macdonald writes some more about his Independent Bookstores of New England GPS Points of Interest project, over here.

Independent Bookstores of New England

…considered as a set of Points of Interest for the TomTom GPS Navigator.  It’s a project that my co-author (and, not so coincidentally as all that, husband) Jim Macdonald is working on in his spare time, and blogging about here.

It’s That Time of Year Again

Yep, we’re right in the middle of Banned Books Week.

This year’s Banned Books theme is Young Adult fiction.  Fiction for young adults (teenagers, more or less, though actual readers of young adult books can be just about any age) draws a lot of censorship fire.

The reasons aren’t hard to guess.  Teenagers make a lot of people nervous.  They’re too big to be physically coerced with any guarantee of success, they’re heading toward independence of thought and action with a singleness of purpose that’s bound to frighten anybody with a vested interest in keeping them under control, and they’re exposed to all sorts of strange and threatening new ideas on a daily basis.   The gatekeepers that could be relied on* to keep unwelcome ideas from getting too close to younger children – parents with the power of the purse, teachers with control over the reading list and the classroom bookshelves, librarians with the whole children’s collection in their hands – hold far less sway over teenagers with money of their own to spend and the ability to range freely in both the physical and on-line worlds.

Hence, the often frantic efforts to keep as tight a grip as possible on those sources of teenage reading material that are susceptible to control – and we all know what Princess Leia said about that.

*At least in theory – librarians these days are often dangerous radicals themselves.

Link of the Day

Now out in e-text in all the usual formats – Debra Jess’s science-fiction romance novel, Bloodsurfer.  (The link will take you to her blog post with links to all the usual suspects.)

I’m claiming just a wee bit of bragging rights on this one, because Debra Jess is a Viable Paradise alumna, and also one of my editorial clients.

So, go – buy, read, have fun!

Link of the Day

Star Cat Books in Bradford, VT, must pay its back rent (the long cold winter was hard on business.)  Small independent bookstores are a good thing.  Help keep this one going.

A Peeve and a Signal Boost

First, the signal boost:  Fran Wilde’s novel Updraft comes out today.  Smashing science fiction from a Viable Paradise alumna, available in hardcover and ebook formats from the usual suspects.

And now the peeve, because while it’s the first of September summer isn’t quite ready to let go of us just yet, and hot weather makes me feel peevish:

For heaven’s sake, people – copyeditors of the world, I’m looking at you – learn the difference between auger and augur.  Writers have at least some excuse, since the gift of good writing and the gift of good spelling are very much not the same thing, but it’s a copyeditor’s job to be aware of these  differences and keep good writers from looking like bad spellers in front of the reading public. For that reason, it annoys me when I spot mistakes like this in published work.

Okay.  Deep breath.

An auger, with an e, is a drill, specifically a tool with a helical bit for boring holes in wood or dirt.

As part of his cunning plan to do away with his fishing partner, Joe used an auger to drill a hole in the bottom of the rowboat they used on alternate days.

An augur, with a u, is an ancient Roman prophet or soothsayer, specifically one who was trained in reading the future from omens such as the flight of birds (and not to be confused with a haruspex, who did the same thing by studying the innards of sacrificial animals.) The predictions thus obtained are known as auguries, and the verb to augur still means “to portend a good or bad outcome.”

Joe’s fishing partner (who commuted on alternate days from ancient Rome by way of temporal translocation) consulted an augur about the day’s fishing prospects.  The augur, observing a flight of geese in the left-hand rear quadrant of the sky, said that the signs did not augur well for going on the water that morning.  When the rowboat sank at the pier later that day with no-one on board, Joe’s partner’s confidence in the auguries was confirmed.

So.  Two different things, two different spellings.