Neophilia

Which is to say, I’ve upgraded my desktop system to Windows 10 and – so far, anyhow – nothing vital has either exploded or disappeared into the ether.

I did take good advice, though, and didn’t use the “Express” setup option, because it defaults to sharing everything with everyone everywhere, which is a stupid thing to default to, but it wouldn’t be a Windows operating system without at least one stupid default.

(And no, I don’t want to switch to the Apple side of the force.  There are people for whom the Mac/iWhatever interface is deft and intuitive, and there are people for whom it is intensely frustrating, and I’m one of the latter. )

So now I’m checking to make sure all of my previously installed apps are still working as advertised, this post being a test of Windows Live Writer.  If you’re reading these words, then presumably Live Writer tested sat.

Today’s Mail

DecoPunk CoverIn addition to the usual unsolicited credit card  offers at rates that make “usurious” sound like a good deal, the postalperson today brought us our authors’ copies of the anthology Decopunk: The Spirit of the Age, which contains our short story, “Silver Passing in Sunlight.”

I really like that cover, by the way . . . if they made a poster out of it, I’d  put it on my wall.

Link of the Day

When it comes to the most frustrating aspect of the freelance life – to wit, actually getting paid for the work – this piece in The Toast nails it.  (The comment section is full of additional spot-on commentary.)

The single most reliable and prompt payer I have ever personally dealt with was a comic-book company; they paid their freelancers every other Friday on the dot.  They also got swallowed up in the Great Doom that befell the American comics industry in the mid-nineties, so go figure.

The worst? Universities, hands down.

(These are the honest companies and institutions we’re talking about here.  Of the dishonest ones, we shall not speak, mostly because to do so would require the use of very bad words.)

Weekend Comma Upcoming

We’ll be at the Burlington, MA, Marriott for Readercon, which we’ll be doing on a relaxacon basis again this year (also on an extremely attenuated shoestring, thanks to the necessity of paying off this past winter’s even-higher-than-usual electric bill.)

One of the things we usually do at Readercon is finish up on Sunday with a summer movie.  I’ve heard some good word-of-mouth about Spy, of the “Don’t let the posters mislead you” variety.  And there’s always Jurassic World, or the latest Terminator outing, either of which would at least provide the requisite summer-move quota of violence and explosions.

In any case, if you’re in or around Burlington this coming weekend, Readercon is a nice place to be.

Ah, Summer!

I’d like to say I’ve been on vacation, but alas, the latter half of June wasn’t that entertaining.  Mostly it was spent dealing with assorted mundane but distracting issues like household repairs (ongoing and expensive . . . most of the time, when you live in a big old house, things fail one at a time, but this was the year when everything – including the dishwasher and the hot water heater – decided to go on strike at once), and oppressive weather  (after a prolonged winter, we’re now in the middle of a cool and clammy summer, with all the associated mosquitoes and mildew), and workshop work (reading all the submitted applications, and helping to finalize the roster of admitted students), and writing work (a set of revisions that I’ve been chasing for this long while now like Achilles trying to catch the tortoise.)

But now I’m back, and just to amuse you, a couple of peeves, or at least one peeve and an interesting word pair.

First, the peeve: People, you don’t beckon someone, you beckon to them.

Jill beckoned to Jane.  “Come look at this.”

I see this one even in published material, and can only conclude that either a lot of copy editors are falling down on the job, or a lot of authors are stetting more stuff than they should.

Now, the word pair.

Consider, then, immigrant and emigrant.  These two words can often be used of the same group of people – individuals who, singly or in groups, happen to be relocating from one country to another.  The difference is a matter of point of view.  If you’re standing on the pier and waving farewell as you watch their ship pull away, they are emigrants, people who are traveling from their country of origin to make their home elsewhere.  The clue is in the e- prefix, which comes from the Latin preposition ex, meaning (among a bunch of associated concepts) “from” or “out of.”

If, however, you’re on the other side of the ocean and watching their ship pull up to the pier, the same people are going to be immigrants, people who are coming into a country from somewhere else.  Once again, the  prefix is the key; this time, it’s im-, from the Latin preposition in, meaning “in” or “into.”

(If the same group of people are traveling from one place to another and either don’t intend or are unable to stay in one place, they are simply migrants. As for why the term emigrants should have more positive connotations than immigrants, which in turn has more positive connotations than migrants . . . all I can say is that language is sometimes weird, and people are sometimes jerks.)

It’s Magic!

starcat030513For all you folks out there who are interested in Jim Macdonald’s other artistic vocation (the one that isn’t writing novels), tomorrow and Saturday he’s going to be doing close-up street magic in Bradford, Vermont, as part of the local downtown merchants’ Customer Appreciation Days. Look for him out in front of Star Cat Books – he’ll be the one in the hat.

Road Trip!

Magic Expo SignThis past Saturday Jim Macdonald and I went down to Boston to see Penguin Magic’s traveling expo, which was there that day.  The route and the area were familiar to us, since the Readercon site is in the same general neighborhood, but this time it wasn’t science fiction that brought us there, but Jim Macdonald’s other freelance avocation, stage magic – which isn’t as far a cry from writing sf and fantasy (or writing in general) as one might think.  Both jobs involving entertaining, and sometimes enlightening, the public by creating believable illusions . . . and both of them take a lot of hard work and practice.

Jim had a good time watching the demonstrations.  I don’t do stage magic myself (my job, in my role as Magician’s Significant Other, is to be the test audience and general critic for new tricks, old tricks, and routines under Magic Demodevelopment), but I had a good time anyway.  The event had a lot in common with various other specialized meetups I’ve attended or spectated at in my time – rock and mineral shows, mustache-growing contests, sf and fantasy conventions, and yes, writer’s workshops.  There’s a peculiar pleasure to be had in the company of a bunch of other people who all share the same obsession, and who can be counted on to understand why a person might spend all afternoon working on a new method of cutting a deck of cards, or trying out different ways of punctuating a particular sentence.

(Do I want a comma here?  Would a period and a new sentence work better?  How about two independent clauses and a semicolon?  No, that doesn’t work – the heck with it, why don’t I just cut the whole thing?  Can’t do that either, dammit; it’ll ruin the pacing, and besides, that’s an important bit of information I’m trying to slip in.  Let’s look at it with the comma again….)

Diamonds Magic StockAs is often the case at these specialized events, there’s also the pleasure of cruising the dealers’ tables and trying not to spend more money than one had absolutely budgeted for the purpose.  The setup to the left there belongs to Diamond’s Magic, which is local to the area (up here in the north country of New Hampshire, we count Boston as “local” for certain purposes. Montreal is actually closer, but we don’t need a passport to get to Boston, or at least not yet.)  We highly recommend them for all your magic-related shopping needs.

And a final note:  speaking of specialized groups and shared obsessions and the company of other people who understand why that comma is important enough to spend an afternoon fretting over it:  The application period for the Viable Paradise workshop remains open until 15 June.  If you’re planning to apply, why not get your application in now and avoid the last-minute rush?

Where I’ve Been When I Haven’t Been Here

Working, mostly, clearing my way out from under a couple of editing gigs. Our trip to Albacon went well – it was a pleasant local convention with congenial people – and we were able to make a side trip to Ausable Chasm on the way out.

Chasm Sign02

Jim Macdonald (husband and co-author) has had a hankering to visit Ausable Chasm ever since he was a kid and first saw the classic Charles Addams cartoon showing the man and wife at a ticket window, with the caption “A round trip and a one-way to Ausable Chasm.”

Well, this year we finally made it. It’s impressive, even from up on the bank of the chasm:

Ausable Chasm01

All we had time for – we didn’t want to miss the Albacon Ice Cream Social later that evening – was the basic two-hour self-guided trail walk (well, Jim did the trail walk; I, as befits a person who has been spraining my ankles on everything from loose rocks to cracks in the linoleum since I was six years old, stayed up on the bank and enjoyed the tranquility.)  But I suspect we’ll be going back, now that we know what’s there. Both the chasm and the convention come highly recommended – do check them out if you have the opportunity.

Albacon This Weekend

Jim Macdonald and I are going to be in Albany, NY, this weekend, at Albacon 2014.5.

The Doyle and Macdonald schedules for the con:

My schedule

  • Saturday 12:00 PM – The Real World in Fantastic Fiction
  • Saturday 1:00 PM – Autographing
  • Saturday 2:30  PM – Reading
  • Saturday 10:00 PM – Villaincon
  • Saturday 11:00 PM – If I  Am Ever The… (Evil Overlord, Hero, Sidekick, etc.)
  • Sunday 10:00 AM – Noir in SF Cinema (or, perhaps, Science Fiction in Film Noir!)
  • Sunday 12:00 PM – Novel Craft – great plotting & effective world-building

Jim Macdonald’s Schedule

  • Friday 10:00 PM – Crowning Moments of Awesome
  • Saturday 10:00 AM – Steampunk 101
  • Saturday 11:00 AM – Deathbuilding
  • Saturday 1:00 PM – Autographing
  • Saturday 2:00 PM – Reading
  • Sunday 12:00 PM – Novel Craft – great plotting & effective world-building

(The sharp-eyed reader will notice that Jim and I will be autographing jointly, and reading sequentially.)

“It’s a House Name,” Tom Said Frankly.

Franklin W. Dixon.  Carolyn Keene.  Victor Appleton.  Familiar names, all three, as are their literary creations:  The Hardy Boys.  Nancy Drew.  Tom Swift.  How do these authors manage to have their names on such long-running series?  (The first Hardy Boys adventure appeared in 1927; the most recent just this past February.)

The answer:  these authors are all house names.  That is to say, the name is a pseudonym that is owned not by the writer of a particular book, but by the publishing house, thus enabling the house to hire different writers at need for the series, or to have more than one writer at a time working on different books.

Frank and Joe Hardy (and Ms. Drew, and Tom Swifts Senior, Junior, and III) were creations of the Stratemeyer Syndicate, and their prolific adventures were made possible in part by the detailed outlines which the syndicate provided to its authors.  You can read one such outline here; as someone who was one-half of Victor Appleton not once, but twice, I can vouch for the fact that the novels are still built on outlines just as detailed.

These days, the writers are likely to be given a brief plot synopsis from which they are expected to produce the outline in question, which then goes through several rounds of back-and-forth revision until it gets publisher approval.  But what comes out of the process at the far end looks remarkably like that early example.

Sometimes, though, things can get weird.  We – my co-author and I – once did a last-minute revision job on such a novel, for which we got the original manuscript and a copy of the cover flat (the cover of a mass-market paperback before it gets wrapped around the actual book; done as a sales tool, for handing out as publicity or showing to booksellers, it will have sales and marketing info printed on the reverse side) along with the instructions, “Fix it however you need to, just don’t contradict the back cover copy.  Also, we need it in three days.”

We did it.  In three days.  That Victor Appleton, he’s one tough writer.